Now that was a Halloween Party!
I like documentaries better than almost any movies. And I like non-fiction and history to read.
Showtime had really a great documentary on tonight: From the End of the World, about the final tour last year of one of the world’s most popular groups. It didn’t glorify them as indiviuals, and by the end you felt great compassion for them as they disbanded.
After having virtually nothing to do with the music business other than enjoying it during my Derby years, it virtually became my life and lifeblood for over 25 years that I was in the computerized ticketing business. I wanted to know all about it, so I made friends and worked with virtually all the clubs, venues, and promoters in Northern Califonia. I heard Huey Lewis and the News at their very first date at the Old Waldorf, saw Prince at the Keystone, and the list of acts could go on and on as at the time most performers and groups played the clubs or the smaller venues like the Fillmore or other places where promoter Bill Graham presented them.
Then for some unkown reason I was asked to be ticket manager and advance person for the secret Roller Thunder Revue tour through the Northeastern US, featuring Bob Dylan (actually the promoter), Joan Baez, T-Bone Burnett, Roger McGuinn and others and saw the mechanics of a tour, so different from when we toured with Roller Derby.
And when I was back in the Bay Area I tuned in to what the FM stations and AM rock stations were playing and subscribed to all music publications so I would know who the artists were, often before they even toured so they could either be our clients or we could sign up the venues they might play in……I can honestly say that there wasn’t an artist from Rhythm and Blues to jazz, Rock and Roll to Punk and Country that I didn’t have a good idea what their popularity and ticket selling potential would be.
I would pour over the weekend papers and counter-culture publications to get an idea of who would be the next big act, and at that time the club scene provided a huge share of our ticket sales. And through the popular club (long gone) Keystone Berkeley, the Hells Angels found me and for several years I promoted their outlaw country acts: Willie, Waylon, Merle, etc.
Well finally in the late 90s my days ended with BASS and Ticketmaster, and I purposely wouldn’t look at the publications or listen to the radio to keep up with the music scene……I loved he fabulous Days on the Green, seeing Prince at the Forum in LA, Madonna at Madison Square Garden, backstage with Elton at the Universal Amphitheatre, but it was because my work required it…
I still listen to the music I like, and when the Stones tour I try to see them but damned if I will pay $500 for a ticket.
So that what was so strange about this wonderful documentary I saw; it was about a group of ex-djs who played electronic music that was rave oriented and drew crowds of 30,000 to 60,000 everywhere they went on this final tour.
Their name was Swedish House Mafia, and I had never heard of them.
So I guess my abdication was effective.
This film created a lot of interest in Roller Derby, and it gave the sport a huge burst.
And although it used the game as a consistent backdrop, it really was about one young girl finding her own place in the world.
And by the way, are Ellen Page and Mel Mellfire the same person?
And ironically it was the banked track game they skated, with a lot of showmanship thrown in.
So what is the point?
The film was 5 years ago, and today something has to get the game out to the public more. It seemingly has become even more internal, with the primary viewers at the games friends and family, as well as pretty much the same demographics watching on the now limited live streaming because of DNN’s disappearance.
You may say there are now more leagues than ever, but is that really an indication of the game’s popular appeal, when attendance seems to be declining in many venues.
You have to decide if that is even important and what is the problem if there is one.