Thunder Road, Etta James, Judi and me


The good news: Frank Deford’s classic 5 Strides on the Banked Track is coming out as an ebook on March 25, and this was the night he and Willie, and Roger Ebert, The Smothers Brothers, and my “friends” roasted me……too damn many memories to keep track of.

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Thunder Road is a teenage drug and alcohol center in Oakland that is so much more.  It includes family counseling activities and training for life.

My friend, Joel Selvin, rock critic for the San Francisco Chronicle went to the center to help establish a music department and ended up being a huge supporter.  He put together an annual “Roast and Jam” at San Francisco’s oldest nightclub and invited local celebrities to be “roasted” and local musicians, who probably had similar problems as the kids, to perform.  He was able to have Van Morrison, Sammy Hagar, Huey Lewis, the Doobies, and on and on show up.  And Herbie Herbert, manager of Journey, became a mainstay of the roasters.

Bill Graham, Joel, Sammy Hagar and others were roasted, and I think Joel ran out of victims and asked me to be skewered.  I was an easy target because my computerized ticketing company…

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Today is the birthday of Frank Deford…..who really brought national attention to Roller Derby


National Roller Derby Hall of Fame.

Click on the link above to see the photo and the book!

Over 45 years ago Sports Illustrated sent a young writer to Oakland to do a feature on the three most eccentric sports owners: Al Davis of the Raiders, Charlie Finley of the A’s, and Franklin Mieuli of the Warriors. I think they wanted to see if there was something in the East Bay water that brought such eccentricity to the sports franchises.

And while talking to the sports editor of the Oakland Tribune, it was suggested that Frank check out one of the little known owners (of the International Roller Derby League), Jerry Seltzer.

So Frank came by our offices, found out we were the hub for the international attraction that drew millions of viewers to television and tens of thousands to live games, and that so many were not even aware of our existence (sound familiar?)

So Frank became intrigued, did the story on the three nutcases, and somehow convinced his editor to write about America’s hidden game.

He joined the Bombers on their annual Eastern trek across the US (covered on an earlier post; now you have to read all 350), and ending up writing the longest feature (until then) that had ever been in Sports Illustrated: the March 1969 issue with Vince Lombardi on the cover. And the piece showed why Frank would become America’s greatest sportswriter; today he is on PBR every Wednesday, on HBO’s Real Sports, dozens of documentaries, and he has written a number of wonderful books, some became movies and television shows.

Well the purist readers of SI were upset; why write about Roller Derby of all things? But the publisher Little Brown thought it would be a wonderful book (Frank’s first), and when Five Strides on the Banked Track was released, it immediately became a classic. Just try and find a copy today!

Well, the good news is that this March it will be available for the first time since the original publication as an e-book. And for that magic woo woo moment, who is one of the people fact checking and polishing it for release? Timothy Andrew Travaglini of the New York Shock Exchange, the great men’s Roller Derby League.

Keep checking on Amazon for this gem……and I think Frank did a good job of catching the essence of the boy promoter and the crazy times of Roller Derby and its people.

Frank Deford’s comments to me on Russian Olympics and gays


Frank is America’s most honored sportswriter and commentator…..former Senior Editor of Sports Illustrated, author of 14 books (including 5 strides on the Banked Track), writer of two films, on NPR radio and HBO Real Sports, and a great friend.

I told him of the concern many of our people have concerning the treatment of gays in Russia and possible problems in the upcoming winter Olympics.  Frank is quite an authority on the Olympics, having been the only sportswriter to have interviewed former head of the Olympics Juan Antonio Samaranch for Sports Illustrated.  Following is his response:

“Whatever they do, please don’t talk of boycott.  All that did in 1980 was hurt the athletes.  Any other action is better.

I doubt very seriously whether the Russians will change their laws to accommodate what other countries believe, but I’m sure if there is enough hue and cry you can be certain that no anti-gay activity will be present at the Games.  So wearing rainbow pins, etc. at the time will surely be grudgingly accepted by the Russians.

I think the best way for Americans to supply that pressure is to let NBC and its most prominent Olympic Sponsors know how we feel.  It is NBC in particular which can wield a strong hand.  Let the Olympic network know what we think of its host Olympic partner.”

Frank.

If you agree, please share and apply the necessary pressure.

The death of Barry Arnold and “Roller Derby the Musical”


Over 30 years ago before I left the Bay Area to go to Los Angeles to take on the Vice Presidency of Ticketmaster I received a phone call from Barry Arnold.

I had been out of Roller Derby for at least 15 years, but I was who he was looking for.

Barry was a well-known Broadway lighting director and had worked on many successful shows, but he wanted to be a playwright and had written a treatise on Roller Derby, based on his boyhood memories of watching the game on television in New York.

He and composer John Braden were preparing to mount a two-week production for the Theatre of the New City at a 50-seat theater in New York.  He wondered if I would look at the script, which was about a Roller Derby team, its manager and star with the sport nearing its final days.  Of course he could send it to me.

I read it and found it entertaining, but not close to understanding the nature of the game and its people, and made a few suggestions.  Then I heard the songs that John had written and was blown away.  I became involved (so what else is new) and went to New York to see the production……with all of its faults and the fact there could be no skating, the staging was great and the audiences loved it, as did the critic from the Village Voice and other publications (“The last time I saw a production this good in a trial run it became Grease”).  The music really worked, and although the story was corny, it was very appealing.

so what to do next?  In 1982 I headed for LA and met with Lee Sankowitz ( a great director, friend of Judi) who mounted it at a small non-equity theater in Los Angeles….although the Times reviewer did not like it, all others did.  Lee wanted to take it and make a major show (he discovered and produced “One Flew over the cuckoo’s nest) but the boys, especially Barry, didn’t want to lose control so they didn’t want to do it.  Also (kicking myself years later) one of the most successful Broadway husband and wife producers wanted to take an option, mount it at Yale, and if ready, take it to Broadway.  Again, a strong no, as Barry did not want his words to be changed (as they really needed).

My partner Hal loved the show, so with some friends we raised money and took it to the Theatre on the Square in San Francisco.  Barry didn’t want to go because the book would be changed, but we did anyway with famed Broadway director Ron Fields…..And Buddy Atkinson, Jr, did a wondrous job of  teaching the cast to skate.  The continuing problem, the book, and too much use of cocaine by the people around the theater and those associated with the show.  semi-good reviews, show not together…..closed with loss for all (Huey Lewis liked it!).

John Braden died shortly afterwards of Aids.  Barry went to Hong Kong where he did some major musical productions for casinos and I would hear from him occasionally.  Judi ran into him in Hong Kong and they went to dinner, and she remarked how manic he was.

I would get phone calls from him from LA, and occasionally he would have someone get in touch with him, but Barry was so demanding, nothing could happen.  I would hear from him always on my birthday, and he would tell me how was becoming a successful promoter.

Then in 2006 he managed to get the show booked for two weeks at the prestigious festival for new musicals in New York.  Composer Harold Wheeler (Music director for Dancing with the Stars and tons of Broadway shows) worked on the music with him, and one of the most renowned musical directors agreed to direct the show, which was scheduled for 2007.

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Well, the worst of Barry showed up…..the rehearsals were a mess because he tried to control everything:  when the reps from the Schubert organization came to see the show at a run through, it was such a shambles that they walked out; he tore the director up and down, caused such dissension in the cast that the show manager black balled him from the theater….The show ran, got a decent response. but it was just sickening when you realize what it could have been.

On the final night Judi and I had dinner with our friends Frank and Carol Deford, and Barry showed up sheepishly at the restaurant and we all had dinner.  He was drawn and pale, and walked outside every few minutes to smoke.  That was actually the last time I saw him.

when he was back in LA he saw that I was getting on facebook, he decided to do it also.  He created SNN (the silly news network) and started to put humorous stuff out, and picked up several thousand followers of Roller Derby people.  i think he thought that way someone would want to produce the show.  The play was an obsession, and he wasn’t seeking any other work.  During one of our conversations I suggested he contact Keith Coppage (“Roller Derby to Rollerjam”, “Bay Area Roller Derby”) who ran one of the most acclaimed arts program at Mt Diablo High School, and his productions were amazing.  Of course Keith would like to mount a production, but after a few back and forths with Barry, realized it would be impossible.

On one of our conversations earlier this year I mentioned that he had put on his facebook page that Roller Derby the musical was dead.   No comment.  We never talked again.  It was brought to my attention the other day that Barry had died…..I went to his facebook page and saw his last comment was on June 3rd.  “Goodbye”.   that is my birthday.

Barry was really a good guy, unbelievably talented, bright, and had so much to offer…..I guess I am just angry at him for the route he chose; of course he was entitled.

I have talked to Keith…..if we can round-up the music and book (slightly re-written by Keith), we would love to see a memorial production at Mt Diablo, maybe for a Barry Arnold room or chair or something.  And just leave that for Barry.

I don’t know if I will every get over it.

Photo: To all FaceBook friends: Help celebrate Barry Arnold's life, and all the joy he has brought to us through his SNN posts. This Saturday, June 15, 2013, we are having a cyber memorial service for Barry Arnold. It will be held at noon, Pacific, 1 p.m. Mountain, 2 p.m. Central, and 3 p.m. Eastern. Apologies to those who are not in our time zones. We know Barry had international friends and we hope you join us regardless of your time zone. At that time, all of Barry's friends and Silly News Network fans, are invited to raise a glass, set off a sparkler, release a balloon, skip a rock, or anything else you feel would be appropriate, in his honor. We also ask that all you sillies post a joke on the SNN wall in tribute. Please, pass this information to any other friends, you may know, who enjoyed Barry's and the SNN pages. I hope you join us.http://www.derbyspotlight.com/blog_QnA_RollerDerbyMusical-03-16-11.html